Because a man, or a woman, does not work in isolation from the surrounding world, but as a matter of fact they act in the world (within various social structures, through relations with people) they create and invent for a better, common future. Our aim is also to promote the holistic perspective of technological issues to show its influence on the world, the society and the human being. We analyse notions, metaphors, symbols which describe and elucidate the modern civilisation – we want, in that manner, to connect different disciplines and cross the borders between them. The main aim of seminars is to bring together scientists who are interested in social and economical aspects of technology. The Open Scientific Seminars entitled “Human Being-Business-Technology” are conducted by the Department of Humanities (of the Institute of Social Sciences and Management of Technologies) under the patronage of the Faculty of Management and Production Engineering. Macardle characterizes these forces as supernatural, and as representative of ancient, but powerful energies denied by patriarchal hegemonies. 1931), in which ideals of domesticity and the ideological control of femininity are destabilized through images of forces that invade the stage. I will then look at Dorothy Macardle’s Witch’s Brew (1928 publ. This chapter begins by examining The Buried Life of Deirdre (1916) by Eva Gore-Booth, concentrating on the playwright’s use of spatial images to propose subversive representations of female identity. This image recurs in much of the theatre of the Irish cultural renaissance at the beginning of the twentieth century, primary and influential examples being Synge’s In the Shadow of the Glen (1905) and The Playboy of the Western World (1907), and O’Casey’s Juno and the Paycock (1924) and The Plough and the Stars (1926). The project is co-funded by the Europe for Citizens programme of the European Union and the Department of Foreign Affairs and Trade’s Reconciliation Fund and the four European partners are Smashing Times Theatre and Film Company, Ireland, Institute de Formacion Y Estudios Sociales (IFES), Valencia, Spain, Gottfried Wilhelm Leibniz Universitaet, Hannover, Germany, and the University of Humanities and Economics in Lodz, Poland, Smashing Times were delighted to welcome the Drama Department, School of Drama, Film and Music, Samuel Beckett Centre, Trinity College as a partner for the Women War and Peace International Symposium and performance.Įuropean theatre of the nineteenth century presents an image of woman confined by, or negotiating the confinements of, domestic interiors. The project uses creative processes of theatre and film to explore the role of women in Europe from WWII and the power of the EU in promoting peace and gender equality today. Women War and Peace is an innovative yearlong transnational project with four European partners from Ireland, Spain, Germany and Poland.
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